Sunday, 14 October 2018

[Review] The City That Dripped Blood

The cover promised me a huge ass dinosaur,
but all I got was a 3 HD giant lizard.
The City That Dripped Blood is the result of a crowdfunding campaign started by Frog God Games this August. You would think there is nothing new under the sun, but that's far from true: this time the campaign wasn't on Kickstarter, but on indiegogo, and it wasn't gathering funds to release another massive tome, but to publish a short module - the first product of a four part series. Badass title, a premise reminiscent of R. E. Howard's Red Nails, and an initiative worth supporting - needless to say I threw some money at them without thinking. Things started to look even brighter as the updates came in: not only did Frog God Games get the talented Michael Syrigos to do the cover, but they also managed to finish the book early: instead of January the pdf arrived early October. The review will be about the Swords & Wizardry edition.

The City That Dripped Blood is a 23 pages long adventure. The cover is a sight to behold, an astonishing piece that effectively evokes the classic howardian sword & sorcery feel using a style similar to Frank Frazetta's. The interior is full color, with solid illustrations, an abstract city map, and a page of uninspired dungeon maps. Layout follows the usual two-column Frog God Games template. At first glance everything appeared nice and dandy, but once I started reading the book thoroughly, issues began to surface.

I was startled for a second when the back cover told me that this is a 5e adventure for 4th-level characters. I had to double check if I got the correct edition. Such mistakes are not surprising from Frog God Games - just ask someone with the S&W version of Stoneheart Valley about the Pathfinder logo under the sticker. Nevermind, I don't make a big fuss about honest mistakes. On the other hand, my pulse swiftly rised when I reached pages 2 and 3. The City That Dripped Blood became the first book that pissed me off with its Table of Contents. Not only it is a waste of valuable space that could have been used for content, but it is so useless and uninformative, we wouldn't have lost anything if it was left out. Thank you very much Frog God Games, but I can figure out by myself that the adventure begins at the beginning of the book, and the Legal Appendix nobody reads is in the back. At least the digital version is properly bookmarked.

Why even bother?
The adventure was written for a group of 4-6 characters of levels 4-5. Extraplanar vulture-men called skelzis became vampiric thanks to the magical blood orchid, and with the help of their weredactyl servants rule over the forgotten desert city of Temelpa. The population consists of humans, who wear masks to show their place in the rigid caste system, and halfling slaves, who worship a helpful aranea. Instead of burial or funerary pyres the residents practice a ritualized form of cannibalism. Hiding in the city live a small number of outcasts, who no longer believe the skelzi propaganda. The outcats want to topple their oppressors, but are unprepared and unequipped to do so.

While the backdrop is amazing, and full of potential, the adventure begins with a hook as tired as possible: an army of gnolls attacks a caravan, and chases the party into the ruins of Temelpa. If you don't like it, you get three other options, but they aren't much better either (fetch quest, delivery quest, original hook expanded). No matter which one you choose, the gnolls will appear, and surround the city to keep the adventurers within. Needless to say the monsters stay out of the range of missile weapons and spells, and conveniently stay until the DM wants them to stay. Blockade is a cheap and ineffective way to keep the PCs from leaving the area. If the players can kill something you can rest assured they will try to do it. It's an army of gnolls? Don't worry, the players will have a plan, and waste an entire session on executing it. Second, why would an army of gnolls besiege a whole city for 4-6 escapees? Even a magical sandstorm that lasts for days would have had been a better choice, especially if you connect it in some way to the skelzis.

After the hook the module introduces the factions and important NPCs, giving the reader a good overview about what's going on in the city. The events are next, beginning with garbage exhaustion rules and an NPC meant to railroad the PCs if needed, then moving unto the mildly interesting funeral procession, and finally explaining in great length the interaction with the guards and skelzis. Short summary of the latter: no matter what the PCs do or who they are, the rulers are absolute bastards, and will do everything to enslave them, or throw them into the arena, or eat them. These are explained in long paragraphs, without any kind of highlighting or bullet points that would make it easier to scan the text and find at first glance what you are looking for. Among the walls of text there is a detail I found amusing: the Crimson Guards are totally incompetent in handling unusual situations. Meeting people without masks, or getting the wrong answer to a ritual question can lead to confusion and guards running to their superiors for advice.

Those threes and fours are all feeding and
sleeping chambers. So exciting!
Next are the district descriptions, a crucial part of any location-based adventure. Unfortunately they get around half page. No, not per district, all in all. The book presents only the two dungeons, the Crimson Ziggurat and the Ziggurat of the Dead in details, the remaining locations get a few paragraphs of trivia each. As for the ziggurats, they are as bland as their maps. Together they have 26 keyed areas, and more than half of them are generic rooms with nothing interesting going on in them. The rest isn't that exciting either. There are barely any meaningful encounters, and the dungeons lack traps, objects to interact with, puzzles. Even the treasure is abysmal! Almost all the loot is sitting in a single chamber in form of a decanter of endless water, a +1 spear, a scroll of protection from evil, a gem worth 625gp, three items of jewelry worth 115gp, 160gp, and 380gp, 2600gp, 1560sp, and 1080cp. I had to check again if I bought the 5e version by accident... In old-school D&D you get most of your XP for the treasure you retrieve. The module was written for a party of 4-6 level 4-5 adventurers. The swag above is maybe enough for a thief to get from level 4 to 5, and they advance super fast compared to other classes. The magic items are as boring and useless as it can get. In the city of vampire vultures is a +1 spear really the best magic weapon the author could come up with? Also, a rule of thumb: if you want to run a desert adventure, don't hand out a decanter of endless water to the party, otherwise it will turn into a trivial trip.

Beside the above treasure hunters can loot 50-200gp more by following the good old cliché of prying out the gemstone eyes of an idol. There is a 4 in 6 chance for the barbed devil living inside to manifest. I wonder why not 6 in 6. Don't rob the players from their actions having consequences. The idol's description is a short, but good example of my issues with the writing: fillers.

"The idol is similar to those venerated by any of the many gluttony cults: a rotund humanoid with exaggerated mouth and teeth, tiny eyes, shrunken limbs, and a swollen belly. The necklaces and crown adorning it are made from linked fingerbones, teeth, short ribs, and other small bones from humans and halflings. The whole thing is about 4ft tall."

No need to pad the text with generalization about other gluttony cults, because it's irrelevant concerning this statue, and it might not be true. What if a gluttony cult follows a bulimiac god who teaches to visit the vomitorium after every meal so you can keep eating? I'm also surprised when authors use weak words like "thing" casually in a published book. The idol's description can be easily shortened into the following, without losing any flavor:

"The 4ft tall idol depicts a rotund humanoid with exaggerated mouth and teeth, tiny eyes, shrunken limbs, and a swollen belly. Its crown and necklaces are made from linked fingerbones, teeth, short ribs, and other small bones."

Weredactyls? Always two there are; no more, no less.
Probably the result of the D&D5e CR calculations.
The module ends with appendices. Appendix 1 contains random encounter tables. They are just dull lists of monsters and quantity - 8 centipedes, 2 skelzis and 2 weredactyls, 2d4 halflings, and so on. Expanding the entries into a whole sentence would have livened them up and could help a lot in turning Temelpa into a living, breathing environment. 8 centipedes are crawling on the corpse of a halfling outcast who is holding a scroll in his hand. 2 skelzis are trying to capture 2 weredactyls that went feral after being in pterodactyl form for too long. 2d4 halflings are climbing down into the cellar hastily while the shouts of the Crimson Guard echo through the alley. Such details can be inspiring and expand the adventure.

Appendix 2 has the three new monsters entries: Fuulagh the Blood Orchid Savant, skelzi, and weredactyl. All three of them are imaginative creatures with an interesting symbiotic relationship between them. The skeksis... err, I mean skelzis are conquerors from another plane, and were turned vampiric (but nut undead) by the blood orchid. The weredactyls are their stupid servants, who the skelzis have to keep an eye on, for if they spend too much time in pterodactyl form they go feral and have to be retrained from scractch. The latter is a detail I would love to see abused by players, and turned against the skelzis!

The book ends with a legal appendix, and an empty page.

The City That Dripped Blood is not the kickass mix of city and dungeon crawl I expected. While the background and factions have enough detail to work from, the environment is seriously lacking, either because the information is close to zero (districts), or because of the content's weakness (ziggurats). Cutting the filler text, better organization, more interesting dungeon rooms, more exciting loot, and spending the two empty pages on giving the districts some character would turn The City That Dripped Blood from another shovelware adventure into an excellent one. Unfortunately that work is left to the buyer. But hey, at least the cover is nice!

Tl;dr: Beautiful cover, kickass premise, lackluster implementation. You can buy it on the official Frog God Games website.

Sunday, 23 September 2018

Main Gauche Early Access Now Available

After many years I' have a reason
to use Discord again.
The Kickstarter campaign for the Zweihänder supplement Main Gauche has barely ended, but the early access documents are already here, and available on DriveThruRPG for those who missed the campaign. No layout or art yet, just raw content waiting to be playtested. I didn't have the time yet to read them in depth since I'm still wading through the pages of the new WFRP4e core rulebook, but what I saw so far while flipping through the pages seemed fun. New professions (including Blitzballer, Grognard, and Hexer), expanded arsenal with special materials, rules for vehicles, more alchemy recipes (including mutagens), more daemons (including daemonic gifts and taints), covenant magick (with new rituals and sigils), monster creation rules, tools for running conspiracy, and a new adventure called There's Something About Marié.

Some of my players are already drooling because of the new professions, and since we reached the point where their characters are ready to move into second tier, I'm eager to allow them to choose something from Main Gauche and playtest the hell out of it. This meany my Old World will drift probably further away from lore accuracy, not that I ever cared about it. I have gnomes, zoats, gods of Law in my campaign after all (should have mentioned fimir too, but they are canon again).

Friday, 14 September 2018

Zweihänder Character Sheets, Part Deux

Of course the jolly wound man stays.
Since my ZWEIHÄNDER character sheets have been released last May I received a lot of positive feedback and requests from the community. Kudos for that! My players have been using these sheets for more than a year now, and naturally they had their own ideas too about how to improve upon the original design. So did I, as there were some painfully obvious problems I wanted to fix - typos, redundancy, lack of space, and so on. Daniel's character sheet competition gave me the final push I needed to dust off my files, and revamp the design - which you will hear more about very soon. I'm proud to announce that the new version is complete, and is available now on the various OneBookShelf sites. You can find it under the following link:

ZWEIHÄNDER - Vorpal Mace Character Sheet v2.01

Update #1: Some minor issues with the layout have been fixed, and the form fillable version has been finished.

Tuesday, 11 September 2018

[Review] Obscene Serpent Religion 2

One of those babies can be your character,
if the dice says so. No save against it.
Public Service Announcement. The following review cointains the OSR acronym multiple times, but with different meanings. For the sake of clarity, OSR refers to Old-School Revival (or Renaissance), while OSR1 and OSR2 refers to the corresponding Obscene Serpent Religion product.

OSR2 is one of the new Lamentations of the Flame Princess products debuting on this year's Gen Con. Since I didn't even know there was an OSR1, I did some research to figure out what's going on. OSR1 is a LotFP supplement about generating serpent cults, written by Rafael Chandler, published by Neoplastic Press. OSR2 is a LotFP module about a small serpent-infested hamlet, written by Jeff Rients, released by LotFP Publishing. Other than spending 32 pages on serpents and cultists they don't have much in common. Jeff Rients, besides being an excellent blogger, is also the author of Broodmother Skyfortress, which I consider one of the best OSR adventures. That should mean sky-high expectations, but because OSR2 is a different kind of animal, I tried my best to avoid unfair comparisons with BMSF.

OSR2 is a 32 pages long digest booklet. The color cover is a sight to behold, beautiful and slightly disturbing at once. The black and white interior illustrations are good, though not outstanding. The art is surprisingly tame, so if you are expecting gore and naughty bits you will be disappointed. The layout is a clear and breezy two-columns affair with a faint grey scaly background, which fortunately does not harm readability.

The first half of OSR2 introduces the bucolic hamlet of Nonsbeck, along with its notable features, personalities, hooks. Good writing and intriguing details make the small community come alive: the settlement feels like a real place, with real people, who have real problems. The realistic nature of Nonsbeck is further emphasized by the lack of supernatural elements: there are no fantastic beasts, weird horrors, haunted places, or anything unusual to speak of. This is a double-edged sword. On one hand, the events depicted in the second half will feel more effective because of this. On the other hand, the DM is tasked with making the players care about an unremarkable little rural village enough to return there several times. You can make it a recurring feature of your campaign, but I find it a cheap solution. I prefer my players visiting something because it caught their attention for some reason, and you don't need big spectacular tricks to achieve it. The chapter ends with some useful random encounter and random local name generator tables.

The second half of OSR2 is about how the appearance of a snake demoness fucks up Nonsbeck while the PCs are away. Where she comes from is up to the DM - the book offers three different options. What's more important is her ability that turns the place upside down: she can travel time through one's genetic material, and alter past events. What I loved about the changes is they aren't immediately evident, but revealed slowly as the players begin looking around. Even if they go right to the inn ignoring everything else they will have a chance to feel that something is amiss. The blacksmith's apprentice turned into a mute roadside beggar who doesn't want to return home. The church is barred, the blacksmith is closed. People are gone, the stories about their departures are out of character. There are new graves in the cemetery, while others are missing. The serving girl in the inn was replaced by two boys with the same name as the innkeeper's stillborn sons. If the players stay or investigate, they will soon learn that the village turned into the nest of serpent worshipping human-snake hybrid cultists, hellbent on sacrificing them. I enjoyed Nonsbeck's shift from simple boring hamlet into a horror movie village a lot, especially the details that can help building tension.

Too bad there is no real climax to the adventure. "Remember that village? Now it's corrupted, FIN." The lack of third act makes the events of OSR2 feels more like a lengthy side-encounter, than an actual adventure. The second half ends with a few ideas about the possible fate of some NPCs, a few paragraphs about the LotFP way, and the stats of the demoness herself, in case the PCs want to take revenge. There is nothing about her whereabouts or plans, not even seeds like about how she surfaced. At least the monster's abilities are unique and interesting, and in true LotFP fashion many fall into the "your character is fucked up, no save" category. The creature can murder the PC's father which can totally change or even erase him, help his parents in a time of need and turn them into snake cultists, implant viper eggs into the victim's stomach that hatch in the present, and so on. Use it only if you are not afraid to wreck your campaign.

Overall OSR2 is an uneven adventure. It requires a long setup to be effective, delivers a short and powerful confrontation, then leaves you hanging without meaningful resolution. While I like terse adventure kits and love using them as framework I can build upon (heck, I filled the Sunstone Caverns once), in case of OSR2 I can't help feeling that it's missing something. It's only a few pages away from being an amazing product. Still, it was an entertaining ride, and it whetted my appetite for more gaming material about ophidians. Time to get OSR1!

Tl;dr: OSR2 does a great job at building up, then corrupting a mundane rural village, but would benefit greatly from some more content. You can buy it HERE.

Sunday, 12 August 2018

[Review] The Dragon's Secret

This is the ideal drakon body. You might not like it, but
this is what peak performance looks like.
The Dragon's Secret is a Swords & Wizardry Complete adventure for a party of 6-8 5th to 7th level adventurers. It's one of the biggest surprises of the year, for it is the first module released by industry veteran Jennel Jaquays in three decades. She worked as a game designer and artist of tabletop role-playing games and video games - including  names like Dark Tower, Caverns of Thracia, Griffin Mountain, Age of Empires, Quake III. She wrote some of the finest dungeons the hobby has ever seen. What made them so great? Complex non-linear maps, vertical level design, interesting factions, and an attention to details, among others. The Alexandrian blog has a series of articles about the nuts and bolts of jaquayian dungeon design, which I consider a must read for every aspiring Dungeon Master.

The Dragon's Secret is not an entirely new product. It's based on salvaged dungeon maps from the seventies, and an abridged version was already published last year as part of the North Texas RPG Con fundraiser (Legends of Adventure, by Pacesetter Games & Simulations). The revamped version was originally part of the Dungeons of Doom IV Kickstarter campaign by Star Hat Miniatures, along with its sister product Quack Keep. After all the limited editions it's no wonder I got giddy with excitement when I saw it finally being released on DriveThruRPG. I was also a bit worried though. Does Jennel still has her edge after three decades?

The Dragon's Secret is a 52 pages long book. The cover is the most drool-inducing I saw recently. I have a soft spot for ugly dragons, dragons with beaks, dragons with ears, dragons with hair, and Jennel's artwork hits the mark in every way. If the art wasn't enough in selling the module, there are still blurbs, taglines, summaries to help you make up your mind. They have all the right words that make my D&D-senses tingling: dungeon, doom, dragon, mystery, hoard, treasure! I usually don't linger much on covers, but this is so well laid out, written, and illustrated, that I had to stay and praise it a bit more than I planned. Time to move on! The interior has a nice two-column layout, and great black and white art done by Jaquays, Darcy Perry, Rick Hershey. My favorites are the medieval etchings, and the cartography, which is easily on Dyson Logos level.

After the foreword we get a half page long backstory about how the Cathedral of the Golden Dragon has risen, and fallen. The whole institute started out as a scam: the gold dragon Aulde Dawne in reality was the sorceress Dawne Rozyfingers, polymorphed by her partner in crime Steed Bramble, who convinved the locals that keeping a gold dragon nearby at the cost of some golds and jewels would be beneficial. Fast forward an unknown amount of time, and you have a whole cathedral with acolytes worshipping the dragon. Bramble thought this would be the right time to get out, but died before he could finish the preparations. When Aulde Dawne learned the man who can polymorph her back to human form died she lost her marbles and devastated the countryside. Some heroes eventually hunted her down, but found little treasure in her lair.

The next four pages are about using the adventure. I found most of it unnecessary, especially the explanation of how room and NPC descriptions are divided, because it felt self-explanatory: each segment starts with a keyword, so even the long-winded texts are easy to browse. The section ends with hooks, that for some unknown reason are split, and continued at the end of the book. That irks me probably more than it should. Fortunately it's worth flipping a bit back and forth, because the hooks are great! They are many and varied, which already shows that there is a lot to do! Highlighting the involved locations and NPCs at the end of each hook is a nice touch. The only way I think it could have been better is including page numbers, or links in the pdf.

The adventure itself is divided into four major areas containing 34 rooms in all. It starts small with the The Cathedral of the Dragon and Connections, then once the players got their feet wet they characters reach Circular Illogic, which is bigger and more complex than the other three areas together. The final part, The Dragon's Horde, is just one large room - I'm sure you all know what that means... Reachig The Dragon's Horde will require a good deal of exploration. Opening the door requires finding the puzzle, its solution, and the two objects needed for it (optionally,ignoring the red herring). This won't be a linear romp from beginning to end. There are loops, branches, secret doors, illusion walls, and multiple connections between the levels - some of which can be discovered later. Vertical design isn't only used to connect the levels: several rooms are three dimensional, and get cross sections to make their layout clear.

Speaking of rooms, there are some fantastic ones among them! Even the mundane entries get something to spice them up, be it some obstacle, an interesting detail, or a hidden treasure. Then there are those which your players will talk about years later. A spherical room with gravity on its surfaces and a gem at the top, that when removed can disable the elevator to the surface, probably also angering the 39 kobolds with paralyzing sticks living nearby. A huge hangar containing a 30 feet tall clockwork automaton, operated from a hidden control room occupied by two wanted mages. A well guarded false treasury jam-packed with fake objects and massive zombie spiders. A deathtrap with illusion chests, phantasmal floor, and crushing phantasmal walls at its bottom.

A good dungeon needs memorable inhabitants too, and this is where Jennel kicks the ball out of the park. There are several factions and NPCs around the cathedral that can serve as valuable help, or annoying nuisance. Two apprentices who murdered their master are hiding down below. The senior was actually a member of the cult long ago, and hired two werewolf families to keep the place safe while he is away. A gurgle of gargoyles was cursed to guard Aulde Dawn's most valuable treasure. A group of fowl folk adventurers (mostly ducks) and a jerk aardvark are also looking for the dragon's riches, and aren't too fond of each other.

The most prominent NPCs have a whole page devoted to them with illustration, background, rumors, and personality. They have fun quirks and traits, which is what turns them from stat block with some background info into fantastic personalities. For example the werewolf leader Elder Worgg doesn't want to transform because it will ruin his clothes. Glyphic Three-Horn the gargoyle leader who wants to throw off the curse of her kin thinks she was a human before becoming a gargoyle. That sounds like an adventure hook right there! It's also noteworthy that the dungeon's denizens aren't just standing idly stuck in a room, frozen in time, but are on the move. They are parts of the random encounter tables, there are guides how they react to various crises, and the gargoyles even have specific routes that helps them navigate through the dungeon easier.

The book ends with supplemental content. There is a random curio table, which you can roll on whenever the room description says there is one. The table is filled with colorful items, and their value is a random roll on another table, so the results can be interesting, even downrigh ridiculous. The players might find a worthless jade flute, or an extremely valuable magical graffiti on the wall - it will be a joy to see how they will tansport that to the surface! We also get Swords & Wizardry stats for two new races: the fowl folk (ducks, geese, swans, and crows) and aardvarks. They get their own monster entries too, along with zombie spiders, living statues, and the horrible drakghuls, who are the children of Aulde Dawn and some other dragon (maybe?), that were born undead and are calling ghouls to the area with their song. Yes, surprisingly The Dragon's Horde was not a typo.

Surprisingly... The book captures the old-school Judges Guild feel in its editing too. It's full of typos, missing whitespaces, double or missing articles, gibberish sentences, and even Aulde Dawne is refered to as a brass dragon instead of gold somewhere. The room entries have some redundant information too. Another readthrough by someone, or hiring an editor would have helped a lot. Looking past these annoyances I found the writing style amusing, with a good amount of humor and wordplay thrown in.

In the end, it seems my fears were irrational. While The Dragon's Secret has some warts, it is a splendid adventure. It's fun, it's colorful, it's dynamic. It's not Dark Tower or Caverns of Thracia, but it is on par with a good module right out of Dungeoneer magazine. Jennel said this is but a fragment of her Thousand Worlds campaign setting, and more is coming soon. Well color me interested, I definitely want more of this! In the meantime, I will bang my head into my desk, because I didn't buy Quack Keep before it was taken down from DriveThruRPG for revision.

Tl;dr: Even with the bad editing The Dragon's Secret is a fun read, and a good example of how to design a complex and living dungeon. You can buy it HERE.

Wednesday, 8 August 2018

The True Danger of Tabletop Gaming

A monster that makes you quack with fear.
Those christian parents who are afraid that their little angels will turn to Satanism because of Dungeons & Dragons are adorably naive. The real danger of tabletop gaming is not spiritual defilement or moral corruption, but monetary bankruptcy. There are villainous authors and publishers out there, waiting for the right moment to snatch your hard earned cash with a surprise attack. They are quick and efficient: most victims end up confused about where their money went, and when did their DriveThruRPG library grow so big. This summer already had some exorbitant swindles, like the release of Cubicle-7's Warhammer Fantasy Roleplay 4e preview and R. Talsorian Publishing's The Witcher Pen & Paper RPG. If you thought this will be all of it for the season, well I have some bad news for you...

Frog God Games storms Indiegogo with their The City that Dripped Blood campaign, which isn't a brick-sized tome you can beat players to death with (if character death wasn't satisfying enough), but an approximately 24 pages long adventure. I like small modules and the premise reminds me of R. E. Howard's Red Nails (one of my all-time favorite sword & sorcery stories), so I ended up supporting the Cult of Tsathoggua with $6.

Jennel Jaquays hasn't released any rpg-related products in the last thirty years, until now. It seems she gathered enough strength to return with not one, but two adventures - and there are more coming! The Dragon's Secret and Quack Keep were all parts of various Star Hat Miniatures kickstarters, and are now available on DriveThruRPG. I'm almost done with The Dragon's Secret, so expect a review coming soon. As for Quack Keep, my Wisdom checks were successful so far, but rest assured I'm going to fail next month.

While I'm struggling with my last ZWEIHÄNDER session reports and getting the next session going (it's summer after all), the game is growing strong and is about to reach new heights with its MAIN GAUCHE supplement. The content is ridiculously tempting, but I have to moderate my expenses and be satisfied with the pdf version, for now. Daniel, if you're reading this: please call the next supplement BOHEMIAN EARSPOON. I know there are people out there who want to see that title on the shelf.

Oh, and before I forget: Echoes of Fomalhaut #2 is out too.

I should have chosen drugs when I was a teen...

EDIT: Quack Keep is down at the moment. It turns out the PoD didn't pass the quality check, so Jennel turned it private until she fixes the layout and adds some errata.

Friday, 20 July 2018

Updates in July

Christmas in July is here again, and it was both exciting and disappointing for me this year so far. I was enthusiastic when I started wading through the list of books on sale, but later I had to realize that whatever I would buy is either not on sale, not available in the store yet, or it's already in my library. The only product I'm probably going to buy isn't even a module or a rulebook, but a collection of sword & sorcery stories called Tales From the Magician's Skull #1 from Goodman Games - an initiative worth supporting.

I did spend some money elsewhere though: this week I bought the revamped Palace of the Vampire Queen and Dwarven Glory from Pacesetter Games & Simulations, and I'm eagerly waiting for Bill Barsh to upload the missing The Misty Isles pdf. What makes these new versions interesting is they have the original version included too, which makes them perfect to make comparisons. Once I'm done reading all of them I will write a review about these gems.

I'm also about to fix my Zweihänder character sheet to answer Daniel's call. This means my session reports (two for Zweihänder, two for HackMaster) will be delayed a bit more, but I think most of you can live with that after a few months of hiatus.